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MOOD MATCH
Above is an animation of my mood and camera match to my mood change and camera change. I first started by creating a camera projection of the original image from the movie. I then began to recreate the image using perspective lines as a guide to achieve the match. Then I placed my lights and matched the angle and intensity of the original image. After all assets and lights where integrated, I then began to come up with my mood and camera change. I decided to go for an over the shoulder shot to stick with the mood of intensity. I then pushed the mood by tinting the lights blue, adding fog, and adding more contrast to the image. I then further matched the mood by adding aditional color correction in Nuke.

Mood Match In Motion
Process:
One of the first steps in this piece was to establish the mood set by the image in the movie. Below is a slider showcasing the still from the movie and my match in Maya.
I then went about establishing two different moods. For each of these moods I wanted a change from stark neutral mood from the original and make the new moods something in the complete opposite direction for the future when I was going to change between the two moods in order to offer a more interesting composition.

Next, I then established a clear camera change. I wanted the composition of this camera change to maintain the strenuous and seriousness as the original image. In choosing to do a close up of the spy it would be able to showcase a more drastic view of the setting. This camera angle also offered a good view of how the light would interact once the camera would move and the moods would shift.

Finally, I added in some atmosphere to the bluer mood. I felt like this mood best represented the main themes of the original image while being able to establish a new mood for the overall setting.
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